Dance Star Matthew Ball on Grueling Roles and Social Media Scrutiny: 'I'm Not Precious About My Body'

In the hushed atmosphere of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's posture is effortlessly straight-backed, his limbs defined beneath a plain white T-shirt. On stage, ballet dancers can appear like mighty gods, yet often offstage they are petite. Not so Ball, whose height is one reason for his demand for princely roles and pas de deux work. Possessing delicate features and piercing eyes, there's a touch of Robert Pattinson about him.

An Apparent Ascent to the Pinnacle

Now 31, Ball is enjoying the crest of a career that has progressed seamlessly. Growing up in Liverpool, he faced little teasing for his early interest in ballet. Joining the Royal Ballet School at 11, he moved directly into the company and was advanced each year, reaching the highest position of lead dancer in 2018. He has loved taking on substantial dramatic roles, especially the emotional angst found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His upcoming featured appearance is as himself, in an "Evening With" series aiming to offer behind-the-scenes insights into a dancer's craft. He will guide the audience through a role, showing his mental workflow while performance. Even in more comedic ballets, the test is significant. "Don Quixote is one of the toughest technically," he notes.

The Psychological Game and After the Show Emotions

What about after a show, when he has succeeded? "It's pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get immersed in the character, frequently I do feel self-conscious later. Following Mayerling I'm always thinking: God, what must people think?"

In person, Ball is reflective, polite, and quick to laugh at himself. But a choreographer once remarked on a "sense of suffering in him." Is there? "I'm quite energetic in general, but I do have a dark side," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."

Formative Drivers and Creative Influences

Ball's determination originated in early experiences. Not excelling in competitions at school made him "driven!" This became fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

An upcoming endeavor is creating his own dance works. For Ball, "organic movement has value." "Breaking the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing ideas from books, music, and art.

Intimate Dance and Personal Partnership

He also favors presenting dance in smaller spaces. "It was just really exciting," he says of a past experience. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has created duets with his partner, fellow lead dancer Mayara Magri. The level of trust between them is evident. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." The couple aren’t usually matched on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s biggest cheerleader."

On Social Media and Bodily Image

On social media, fans can see clips from his dance films and images that highlight a sculpted form. Does he care that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—an object that can be seen on multiple levels.

Ball describes his younger self as "desperate for success." Has it lived up to his expectations? "I feel very aware of how reality is a different thing to the dreams you made as a child," he reflects. He probably has another decade of performing left. "I suppose in the future, I want to be a bit more gentle with myself."

Amanda Erickson
Amanda Erickson

A professional blackjack player and strategist with over a decade of casino experience, specializing in mathematical approaches to the game.